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Our Work:
Brother - Advert

A Creative State of Mind

When a budding fashion designer purchases one of Brother's Airflow 3000 machines, she finds her side hustle quickly turns into a full-time business.

CLIENT
Brother
LOCATION
Manchester, Greater Manchester
PROJECT
A Creative State of Mind
OUR SERVICES

CONCEPT DEVELOPMENT

+ Idea Generation & Iteration

+ Script Writing

+ Storyboard/Shot list

PRE-PRODUCTION

+ Concept Refinement

+ Logistics
+ Casting

+ Crew Hire
+ Scouting

+ Permits
+ Prep

PRODUCTION

+ Directed

+ Produced

+ Shot on Red

POST-PRODUCTION

+ Editing

+ Voiceover Casting & Recording

+ Sound Mix & Master

+ Visual FX

+ Colour Grade

+ Music Licensing

+ Subtitling

+ Amendments

CLIENT
Brother
LOCATION
Manchester, Greater Manchester
PROJECT
A Creative State of Mind
DELIVERABLES

1 X 2-MIN ADVERT

7 X 20-60 SEC SOCIAL CLIPS

130 PHOTOS

WHAT WE DID

CONCEPT DEVELOPMENT

+ Idea Generation & Iteration

+ Script Writing

+ Storyboard/Shot list

PRE-PRODUCTION

+ Concept Refinement

+ Logistics
+ Casting

+ Crew Hire
+ Scouting

+ Permits
+ Prep

PRODUCTION

+ Directed

+ Produced

+ Shot on Red

POST-PRODUCTION

+ Editing

+ Voiceover Casting & Recording

+ Sound Mix & Master

+ Visual FX

+ Colour Grade

+ Music Licensing

+ Subtitling

+ Amendments

CLIENT
Brother
LOCATION
Manchester, Greater Manchester
PROJECT
A Creative State of Mind
DELIVERABLES

1 X 2-MIN ADVERT

7 X 20-60 SEC SOCIAL CLIPS

130 PHOTOS

WHAT WE DID

CONCEPT DEVELOPMENT

+ Idea Generation & Iteration

+ Script Writing

+ Storyboard/Shot list

PRE-PRODUCTION

+ Concept Refinement

+ Logistics
+ Casting

+ Crew Hire
+ Scouting

+ Permits
+ Prep

PRODUCTION

+ Directed

+ Produced

+ Shot on Red

POST-PRODUCTION

+ Editing

+ Voiceover Casting & Recording

+ Sound Mix & Master

+ Visual FX

+ Colour Grade

+ Music Licensing

+ Subtitling

+ Amendments

BRIEF

Brother Industries are a multinational electronics company that have been operating for over 100 years. With a focus on innovation, the company initially manufactured sewing machines, growing to dominate the market with high-quality products at affordable prices. Now in over 40 countries, the blue-chip giant is known for producing a variety of tech products such as multi-function printers, industrial machinery, and labelling systems.

The Brother team approached us to create a promotional video for the release of one of their new machines, the Air Overlocker. The video was to be published in craft stores and on digital marketing channels such as their website and social media platforms. With a target audience aged 25-40, the video needed to be bold, inspirational, and youthful.


BRIEF

Brother Industries are a multinational electronics company that have been operating for over 100 years. With a focus on innovation, the company initially manufactured sewing machines, growing to dominate the market with high-quality products at affordable prices. Now in over 40 countries, the blue-chip giant is known for producing a variety of tech products such as multi-function printers, industrial machinery, and labelling systems.

The Brother team approached us to create a promotional video for the release of one of their new machines, the Air Overlocker. The video was to be published in craft stores and on digital marketing channels such as their website and social media platforms. With a target audience aged 25-40, the video needed to be bold, inspirational, and youthful.


Liverpool stadiumLiverpool Stadium
R&D
workshops
concept generation
competitor analysis
brainstorming
01
01

PRE-PRODUCTION

At the start of pre-production, we pieced together the creative concept for this advert. We decided upon a narrative which showed a designer’s journey from humble beginnings creating garments at home, to running her own successful business and clothing line, thanks to the power of Brother’s Air Overlocker. This storyline was inspired by the rise of apps such as Depop and social power of Instagram, allowing young fashion entrepreneurs to reach their audience. The narrative was created to connect with this young, ambitious, and creative audience.


To plan what we would need to execute this concept successfully, we created a storyboard and shooting script which broke down each scene. Alongside this, our team put together moodboards that meant we could clearly communicate the look and feel we wanted to create using the set, costume, and cast. This process allowed us to clearly see what logistical elements needed to be put into place and polish the finer details in our creative vision.

Pre-production was carried out over the course of two months and this involved securing our two shoot locations:

- Stylish Family Home: Manchester - A sleek and contemporary home we used to showcase the designer working from home;


- New York Style Loft Studio: Manchester - An urban and New York style loft space used as our designer’s workshop. This space also had an infinity curve, perfect for our photoshoot session.

We selected 3 models who we believed best fit the brief, and put them forward to Brother to sign off. An actor was then cast to play the designer’s role in the video, along with four extras.


Pre Productionpre production
shooting schedule
cast & crew
shot list
locations
call sheets
scriptwriting
02
02

production

We shot the Air Overlocker video in June, filming on just one day from the early morning until 7.30pm. We had a team of sixteen on set that day, including our core team (Director, Producers, Videographer, Photographer), talent, additional crew and the Brother team.


During some of the scenes at the designer’s house, the video’s narrative was set during nighttime but was shot during the day. To achieve this effect, we used blackout paper to block the natural light coming in through the windows and used a CTB gel fixed onto an Aputure 300D light with a soft box, to achieve a moonlit glow onto the main subject.


All scenes were shot on our RED Scarlet-W cameras, capturing every detail with the utmost clarity and vibrance. We used a reflector in combination with a haze machine to add depth to the video and bring our main subjects and the Air Overlocker into focus.

ProductionProduction
set dressing
crew debrief
light rigging
filming
03
03

POST-production

Post-production for this video involved creating a series of seven social clips alongside the two-minute main video. The post-production part of the process involved colour grading, sound mixing, Visual FX, and more.


We delivered the main promotional video in a widescreen format, with the 20-60 second social clips provided in a 16:9 format, optimised for Instagram Reels and Tik Tok.

01
01

PRE-PRODUCTION

At the start of pre-production, we pieced together the creative concept for this advert. We decided upon a narrative which showed a designer’s journey from humble beginnings creating garments at home, to running her own successful business and clothing line, thanks to the power of Brother’s Air Overlocker. This storyline was inspired by the rise of apps such as Depop and social power of Instagram, allowing young fashion entrepreneurs to reach their audience. The narrative was created to connect with this young, ambitious, and creative audience.


To plan what we would need to execute this concept successfully, we created a storyboard and shooting script which broke down each scene. Alongside this, our team put together moodboards that meant we could clearly communicate the look and feel we wanted to create using the set, costume, and cast. This process allowed us to clearly see what logistical elements needed to be put into place and polish the finer details in our creative vision.

Pre-production was carried out over the course of two months and this involved securing our two shoot locations:

- Stylish Family Home: Manchester - A sleek and contemporary home we used to showcase the designer working from home;


- New York Style Loft Studio: Manchester - An urban and New York style loft space used as our designer’s workshop. This space also had an infinity curve, perfect for our photoshoot session.

We selected 3 models who we believed best fit the brief, and put them forward to Brother to sign off. An actor was then cast to play the designer’s role in the video, along with four extras.


Liverpool stadiumLiverpool Stadium
R&D
workshops
concept generation
competitor analysis
brainstorming
02
02

production

We shot the Air Overlocker video in June, filming on just one day from the early morning until 7.30pm. We had a team of sixteen on set that day, including our core team (Director, Producers, Videographer, Photographer), talent, additional crew and the Brother team.


During some of the scenes at the designer’s house, the video’s narrative was set during nighttime but was shot during the day. To achieve this effect, we used blackout paper to block the natural light coming in through the windows and used a CTB gel fixed onto an Aputure 300D light with a soft box, to achieve a moonlit glow onto the main subject.


All scenes were shot on our RED Scarlet-W cameras, capturing every detail with the utmost clarity and vibrance. We used a reflector in combination with a haze machine to add depth to the video and bring our main subjects and the Air Overlocker into focus.

Pre Productionpre production
shooting schedule
cast & crew
shot list
locations
call sheets
scriptwriting
03
03

POST-production

Post-production for this video involved creating a series of seven social clips alongside the two-minute main video. The post-production part of the process involved colour grading, sound mixing, Visual FX, and more.


We delivered the main promotional video in a widescreen format, with the 20-60 second social clips provided in a 16:9 format, optimised for Instagram Reels and Tik Tok.

ProductionProduction
set dressing
crew debrief
light rigging
filming
04

post-production

Finally, we sculpt every frame and sound wave into a video you’ll be proud of sharing with the world.

Post Production Post Production
footage backup
visual fx
editing
music licensing
shot selection
sound fx
colour grading
voiceover

PRE-PRODUCTION

At the start of pre-production, we pieced together the creative concept for this advert. We decided upon a narrative which showed a designer’s journey from humble beginnings creating garments at home, to running her own successful business and clothing line, thanks to the power of Brother’s Air Overlocker. This storyline was inspired by the rise of apps such as Depop and social power of Instagram, allowing young fashion entrepreneurs to reach their audience. The narrative was created to connect with this young, ambitious, and creative audience.


To plan what we would need to execute this concept successfully, we created a storyboard and shooting script which broke down each scene. Alongside this, our team put together moodboards that meant we could clearly communicate the look and feel we wanted to create using the set, costume, and cast. This process allowed us to clearly see what logistical elements needed to be put into place and polish the finer details in our creative vision.

Pre-production was carried out over the course of two months and this involved securing our two shoot locations:

- Stylish Family Home: Manchester - A sleek and contemporary home we used to showcase the designer working from home;


- New York Style Loft Studio: Manchester - An urban and New York style loft space used as our designer’s workshop. This space also had an infinity curve, perfect for our photoshoot session.

We selected 3 models who we believed best fit the brief, and put them forward to Brother to sign off. An actor was then cast to play the designer’s role in the video, along with four extras.


PRODUCTION

We shot the Air Overlocker video in June, filming on just one day from the early morning until 7.30pm. We had a team of sixteen on set that day, including our core team (Director, Producers, Videographer, Photographer), talent, additional crew and the Brother team.


During some of the scenes at the designer’s house, the video’s narrative was set during nighttime but was shot during the day. To achieve this effect, we used blackout paper to block the natural light coming in through the windows and used a CTB gel fixed onto an Aputure 300D light with a soft box, to achieve a moonlit glow onto the main subject.


All scenes were shot on our RED Scarlet-W cameras, capturing every detail with the utmost clarity and vibrance. We used a reflector in combination with a haze machine to add depth to the video and bring our main subjects and the Air Overlocker into focus.

POST-PRODUCTION

Post-production for this video involved creating a series of seven social clips alongside the two-minute main video. The post-production part of the process involved colour grading, sound mixing, Visual FX, and more.


We delivered the main promotional video in a widescreen format, with the 20-60 second social clips provided in a 16:9 format, optimised for Instagram Reels and Tik Tok.

PRE-PRODUCTION

At the start of pre-production, we pieced together the creative concept for this advert. We decided upon a narrative which showed a designer’s journey from humble beginnings creating garments at home, to running her own successful business and clothing line, thanks to the power of Brother’s Air Overlocker. This storyline was inspired by the rise of apps such as Depop and social power of Instagram, allowing young fashion entrepreneurs to reach their audience. The narrative was created to connect with this young, ambitious, and creative audience.


To plan what we would need to execute this concept successfully, we created a storyboard and shooting script which broke down each scene. Alongside this, our team put together moodboards that meant we could clearly communicate the look and feel we wanted to create using the set, costume, and cast. This process allowed us to clearly see what logistical elements needed to be put into place and polish the finer details in our creative vision.

Pre-production was carried out over the course of two months and this involved securing our two shoot locations:

- Stylish Family Home: Manchester - A sleek and contemporary home we used to showcase the designer working from home;


- New York Style Loft Studio: Manchester - An urban and New York style loft space used as our designer’s workshop. This space also had an infinity curve, perfect for our photoshoot session.

We selected 3 models who we believed best fit the brief, and put them forward to Brother to sign off. An actor was then cast to play the designer’s role in the video, along with four extras.


PRE-PRODUCTION

At the start of pre-production, we pieced together the creative concept for this advert. We decided upon a narrative which showed a designer’s journey from humble beginnings creating garments at home, to running her own successful business and clothing line, thanks to the power of Brother’s Air Overlocker. This storyline was inspired by the rise of apps such as Depop and social power of Instagram, allowing young fashion entrepreneurs to reach their audience. The narrative was created to connect with this young, ambitious, and creative audience.


To plan what we would need to execute this concept successfully, we created a storyboard and shooting script which broke down each scene. Alongside this, our team put together moodboards that meant we could clearly communicate the look and feel we wanted to create using the set, costume, and cast. This process allowed us to clearly see what logistical elements needed to be put into place and polish the finer details in our creative vision.

Pre-production was carried out over the course of two months and this involved securing our two shoot locations:

- Stylish Family Home: Manchester - A sleek and contemporary home we used to showcase the designer working from home;


- New York Style Loft Studio: Manchester - An urban and New York style loft space used as our designer’s workshop. This space also had an infinity curve, perfect for our photoshoot session.

We selected 3 models who we believed best fit the brief, and put them forward to Brother to sign off. An actor was then cast to play the designer’s role in the video, along with four extras.


PRODUCTION

We shot the Air Overlocker video in June, filming on just one day from the early morning until 7.30pm. We had a team of sixteen on set that day, including our core team (Director, Producers, Videographer, Photographer), talent, additional crew and the Brother team.


During some of the scenes at the designer’s house, the video’s narrative was set during nighttime but was shot during the day. To achieve this effect, we used blackout paper to block the natural light coming in through the windows and used a CTB gel fixed onto an Aputure 300D light with a soft box, to achieve a moonlit glow onto the main subject.


All scenes were shot on our RED Scarlet-W cameras, capturing every detail with the utmost clarity and vibrance. We used a reflector in combination with a haze machine to add depth to the video and bring our main subjects and the Air Overlocker into focus.

POST-PRODUCTION

Post-production for this video involved creating a series of seven social clips alongside the two-minute main video. The post-production part of the process involved colour grading, sound mixing, Visual FX, and more.


We delivered the main promotional video in a widescreen format, with the 20-60 second social clips provided in a 16:9 format, optimised for Instagram Reels and Tik Tok.

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Prefer good ole not-so-snail mail?

enquiries@mcgillproductions.co.uk

Fancy a full time position or freelance gig?

enquiries@mcgillproductions.co.uk

Lancaster office

(+44) (0) 1524 907005

London office

(+44) (0) 20 7459 4304
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